Pierre Fournier,Friedrich Gulda – Beethoven: Complete Works for Cello and Piano (Remastered) (2006/2019) [FLAC 24bit, 192 kHz]

Pierre Fournier,Friedrich Gulda - Beethoven: Complete Works for Cello and Piano (Remastered) (2006/2019) [FLAC 24bit, 192 kHz] Download

Artist: Pierre Fournier,Friedrich Gulda
Album: Beethoven: Complete Works for Cello and Piano (Remastered)
Genre: Classical
Label: Deutsche Grammophon (DG)
Release Date: 2006/2019
Audio Format:: FLAC (tracks) 24bit, 192 kHz
Duration: 02:18:10
Total Tracks: 46
Total Size: 5,34 GB

Tracklist:

01. Pierre Fournier & Friedrich Gulda – 1. Adagio sostenuto – Allegro (14:41)
02. Pierre Fournier & Friedrich Gulda – 2. Rondo (Allegro vivace) (06:51)
03. Pierre Fournier & Friedrich Gulda – 1. Adagio sostenuto ed espressivo – Allegro molto più tosto presto (12:14)
04. Pierre Fournier & Friedrich Gulda – 2. Rondo (Allegro) (08:58)
05. Pierre Fournier & Friedrich Gulda – 1. Allegro ma non tanto (12:53)
06. Pierre Fournier & Friedrich Gulda – 2. Scherzo (Allegro molto) (05:19)
07. Pierre Fournier & Friedrich Gulda – 3. Adagio cantabile – Allegro vivace (08:41)
08. Pierre Fournier & Friedrich Gulda – 1. Andante – Allegro vivace (08:25)
09. Pierre Fournier & Friedrich Gulda – 2. Adagio – Tempo d’andante – Allegro vivace (07:05)
10. Pierre Fournier & Friedrich Gulda – 1. Allegro con brio (06:26)
11. Pierre Fournier & Friedrich Gulda – 2. Adagio con molto sentimento d’affetto (09:14)
12. Pierre Fournier & Friedrich Gulda – 3. Allegro – Allegro fugato (04:30)
13. Pierre Fournier & Friedrich Gulda – Thema. Allegretto (00:46)
14. Pierre Fournier & Friedrich Gulda – Variation I (00:44)
15. Pierre Fournier & Friedrich Gulda – Variation II (00:44)
16. Pierre Fournier & Friedrich Gulda – Variation III (00:43)
17. Pierre Fournier & Friedrich Gulda – Variation IV (00:47)
18. Pierre Fournier & Friedrich Gulda – Variation V (00:50)
19. Pierre Fournier & Friedrich Gulda – Variation VI (00:43)
20. Pierre Fournier & Friedrich Gulda – Variation VII (00:34)
21. Pierre Fournier & Friedrich Gulda – Variation VIII (00:45)
22. Pierre Fournier & Friedrich Gulda – Variation IX (00:42)
23. Pierre Fournier & Friedrich Gulda – Variation X. Allegro (00:41)
24. Pierre Fournier & Friedrich Gulda – Variation XI. Adagio (03:20)
25. Pierre Fournier & Friedrich Gulda – Variation XII. Allegro (01:07)
26. Pierre Fournier & Friedrich Gulda – Theme. Andante (00:57)
27. Pierre Fournier & Friedrich Gulda – Variation I (00:45)
28. Pierre Fournier & Friedrich Gulda – Variation II (00:46)
29. Pierre Fournier & Friedrich Gulda – Variation III (00:57)
30. Pierre Fournier & Friedrich Gulda – Variation IV (01:12)
31. Pierre Fournier & Friedrich Gulda – Variation V. Si prenda il tempo un poco più vivace (00:35)
32. Pierre Fournier & Friedrich Gulda – Variation VI. Adagio (02:10)
33. Pierre Fournier & Friedrich Gulda – Variation VII. Allegro, ma non troppo (01:55)
34. Pierre Fournier & Friedrich Gulda – Thema. Allegretto (00:35)
35. Pierre Fournier & Friedrich Gulda – Variation I (00:38)
36. Pierre Fournier & Friedrich Gulda – Variation II (00:36)
37. Pierre Fournier & Friedrich Gulda – Variation III (00:33)
38. Pierre Fournier & Friedrich Gulda – Variation IV (00:39)
39. Pierre Fournier & Friedrich Gulda – Variation V (00:34)
40. Pierre Fournier & Friedrich Gulda – Variation VI (00:30)
41. Pierre Fournier & Friedrich Gulda – Variation VII (00:47)
42. Pierre Fournier & Friedrich Gulda – Variation VIII (00:33)
43. Pierre Fournier & Friedrich Gulda – Variation IX (00:40)
44. Pierre Fournier & Friedrich Gulda – Variation X. Adagio (01:31)
45. Pierre Fournier & Friedrich Gulda – Variation XI. Poco Adagio, quasi Andante (01:23)
46. Pierre Fournier & Friedrich Gulda – Variation XII. Allegro (01:51)

It would be difficult to rank these three complete collections of Beethoven’s works for cello and piano, recorded by Pierre Fournier with three different partners, all distinguished Beethoven experts: Arthur Schnabel (1947-48), Friedrich Gulda (1959) and Wilhelm Kempff (1965). Fournier and Gulda are like fire and water. The French cellist provides guidance to the solitary and somewhat untameable Gulda, who himself admitted to having learned some discipline over the course of the recording, and kept a debt of gratitude for Fournier his whole life. The result is a tremendous show of mutual attention and a clarity of expression, without any pomposity or pretentiousness. – François Hudry

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