Swiss composer Frank Martin (1890–1974) wrote across all genres but is known for his works for an unusual instrument. Where his 1944 work, Petite symphonie concertante, uses the instrument in conjunction with harp and piano, his 1951–1952 work, Concerto for harpsichord and small orchestra, takes the instrument and pits it against a small orchestra. The instrument in question is the harpsichord. However, this is not the harpsichord of the 17th and 18th centuries, which died and vanished in the 19th century, but the new revival harpsichord of the 20th century.