Flute East trio – Kuhlau: 7 Flute Trios (2020) [FLAC 24 bit, 48 kHz]

Flute East trio – Kuhlau: 7 Flute Trios (2020) [FLAC 24 bit, 48 kHz]

Friedrich Kuhlau was the foremost pioneer of the Danish Golden Age in the early 19th century. He is often referred to as the “Beethoven of the flute”. His flute compositions enjoyed great popularity during his lifetime and were praised by the important musical luminaries Brahms and Tchaikovsky. Kuhlau, moreover, is still known for his impressive contribution to the flute repertoire.

Federico del Sordo – Bonelli: Complete Keyboard Music (2019) [FLAC 24 bit, 44,1 kHz]

Federico del Sordo – Bonelli: Complete Keyboard Music (2019) [FLAC 24 bit, 44,1 kHz]

Following the release last year of works by Holzer, Antegnati and Pellegrini, the renowned organist Federico Del Sordo further delves into the world of Renaissance and early Baroque keyboard repertoire. In this set, he turns his attention to Italian composer Aurelio Bonelli.

Francesco Fornasaro – Jones: 6 Harpsichord Suites (2022) [FLAC 24 bit, 88,2 kHz]

Francesco Fornasaro – Jones: 6 Harpsichord Suites (2022) [FLAC 24 bit, 88,2 kHz]

New recordings of six superb Baroque suites by a London contemporary of Handel, graced a vision and ingenuity out of all proportion to his fame.

Federico Bracalente, Daniele di Bonaventura – In Spiritum: Music for Cello and Bandoneon (2021) [FLAC 24 bit, 192 kHz]

Federico Bracalente, Daniele di Bonaventura – In Spiritum: Music for Cello and Bandoneon (2021) [FLAC 24 bit, 192 kHz]

This recording, from friends and collaborators Federico Bracalente and Daniele di Bonaventura, stems from an idea they had almost 10 years ago: to merge the sounds of their respective instruments, the cello and the bandoneon, into a single sound.

Damiano Fernanda – Galuppi: Piano Sonatas (2021) [FLAC 24 bit, 44,1 kHz]

Damiano Fernanda – Galuppi: Piano Sonatas (2021) [FLAC 24 bit, 44,1 kHz]

A debut album from a gifted young pianist, who has stylishly reimagined the world of the Venetian Baroque on a modern piano.

At a time when only Bach and Scarlatti were Baroque-era composers in the repertoire of pianists rather than harpsichordists, Arturo Benedetti Michelangeli pressed the cause of Baldassare Galuppi (1706-1785) with performances and recordings of sonatas. Galuppi’s style was defined during his lifetime as ‘gay, lively and brilliant’, and this description certainly capture the style of the keyboard sonatas which he wrote throughout his career.

Filippo Farinelli – Barber: Complete Songs (2023) [FLAC 24 bit, 48 kHz]

Filippo Farinelli – Barber: Complete Songs (2023) [FLAC 24 bit, 48 kHz]

The songs of Samuel Barber offer the beauty of his output in microcosm. ‘Complete’ in this context used to mean the 47 songs gathered in a Deutsche Grammophon 2CD set from 1994, but there are 65 songs here, making it the most complete survey yet recorded. Most of the lesser-known and unpublished songs on CD3 date back to Barber’s student years, but he took up composing young, and was always inclined towards writing for voices and responding to poetry. He made his matchlessly evocative setting of Matthew Arnold’s Dover Beach when he was just 21 years old.

Federico Rossignoli – Brayssing: Complete Music for Renaissance Guitar (2022) [FLAC 24bit, 48 kHz]

Federico Rossignoli – Brayssing: Complete Music for Renaissance Guitar (2022) [FLAC 24bit, 48 kHz]

As with many composers from the early modern period, very little is known about Grégoire Brayssing. This recording features his only surviving work, printed in Paris in 1553 as the fourth volume in a series dedicated to the guitar published by Adrian Le Roy and Robert Ballard. Brayssing’s collection provides us with a few clues about his life: the frontispiece describes him as “de Augusta”, meaning he was born in the German city of Augsburg.

Federico del Sordo – Bottazzi: Choro et Organo (2023) [FLAC 24 bit, 44,1 kHz]

Federico del Sordo – Bottazzi: Choro et Organo (2023) [FLAC 24 bit, 44,1 kHz]

Choro et Organo by Bernardino Bottazzi (1560–1614) may be considered the most extensive and best-known collection of Italian organ works from the early 17th century. In the beautiful edition printed by Giacomo Vincenti, the musical notation used relates to a tradition that is more Renaissance than early baroque: namely, Italian tablature for organ (in this case, with an eight-line stave for the left hand and one of five lines for the right).

Fernando De Luca – Moyreau: Complete Harpsichord Music (2022) [FLAC 24bit, 44,1 kHz]

Fernando De Luca – Moyreau: Complete Harpsichord Music (2022) [FLAC 24bit, 44,1 kHz]

The first-ever survey on record of the complete surviving output by a significant contemporary of Rameau: a missing piece in the jigsaw of the French Baroque.

Fantazyas, Balconi Roberto – Caccini: Amarilli, Le Nuove Musiche 1601 (2021) [FLAC 24 bit, 96 kHz]

Fantazyas, Balconi Roberto – Caccini: Amarilli, Le Nuove Musiche 1601 (2021) [FLAC 24 bit, 96 kHz]

In this expert recording, singer Roberto Balconi and group Fantasyas approach Giulio Caccini’s (1551-1618) Le Nuove Musiche with a focus on authentic performance practice as specified in great detail by the composer himself in the preface to the work.

Fernando De Luca – Jollage: Premier livre de Pièces de Clavecin (2023) [FLAC 24 bit, 44,1 kHz]

Fernando De Luca – Jollage: Premier livre de Pièces de Clavecin (2023) [FLAC 24 bit, 44,1 kHz]

A world-premiere recording of elegant, courtly French harpsichord suites by a forgotten name of the early 18th century.

The early life and formation of Charles-Alexandre Jollage is shrouded in obscurity. By the time he enters the historical record in the 1720s, he had become organist for the King of Poland, Stanislas Leszcznski, at that time exiled to France and settled at the castle of Chambord in the Loire region of France.

In 1733 Stanislas left Chambord for Warsaw where he claimed the throne of Poland; meanwhile Jollage seems to have settled in Paris, where his only known set of work was published in 1738, and dedicated to the Marquise of Clermont d’Amboise. After that point, it has been established with greater certainty that he remained in Paris as an organist, and died there in 1761.

Filippo Farinelli – Hindemith: Complete Music for Piano Duo (2022) [FLAC 24 bit, 48 kHz]

Filippo Farinelli – Hindemith: Complete Music for Piano Duo (2022) [FLAC 24 bit, 48 kHz]

This record contains the complete works for piano duo (piano 4-hands and 2 pianos) by Paul Hindemith (1895–1963). While Hindemith was foremost a violist, not a pianist, he knew his way around the piano, and this familiarity is reflected in his compositions for the instrument, all of a decent technical level and featuring great originality of expression. Even if he doesn’t immediately spring to pianists’ minds, he deserves to be included – alongside Debussy, Schönberg, Ravel, Stravinsky, Bartoìk and Prokofiev – in the small group of innovators who significantly enhanced the piano repertoire in the early 20th century, Hindemith in particular with his Suite 1922, three solo piano sonatas and Ludus Tonalis.

Federico del Sordo, Nova Schola Gregoriana, Alberto Turco – Cavazzoni: Complete Organ Music (2021) [FLAC 24 bit, 44,1 kHz]

Federico del Sordo, Nova Schola Gregoriana, Alberto Turco – Cavazzoni: Complete Organ Music (2021) [FLAC 24 bit, 44,1 kHz]

The most comprehensive collection of organ music by a major forerunner to Monteverdi, recorded on a historically significant instrument by an organist with a distinguished catalogue of 17th-century repertoire.

Filippo Ravizza – Fux: Complete Music for Harpsichord (2017) [FLAC 24 bit, 44,1 kHz]

Filippo Ravizza – Fux: Complete Music for Harpsichord (2017) [FLAC 24 bit, 44,1 kHz]

Johann Joseph Fux (1660-1741) overcame his humble origins as son of peasant farmers brilliantly, eventually holding the prestigious post of Kapellmeister at the Hapsburg Court in Vienna for over 30 years, serving 3 Emperors in a row, all of whom were in the possession of a passion for music.

This new recording contains Fux’ complete works for harpsichord: the 5 Partitas, a Capriccio and several miscellaneous works. His style is a perfect blend of French and German keyboard style: French in its elaborate ornamentation, elegance and brilliance, German in the strict counterpoint. Fux is also the author of “Gradus ad Parnassum”, the monumental treatise on counterpoint which became a point of reference for many generations to come. Harpsichordist Filippo Ravizza plays on a copy made by Luca Vismara of a magnificent Dulcken harpsichord, built in the Flemish tradition and kept in the Smithonian Institute in Washington.

Excellent liner notes written by the artist in both English and Italian, as well as information on the instrument.

Francesco Galligioni – Dall’Abaco: Capricci a Violoncello Solo (2018) [FLAC 24 bit, 88,2 kHz]

Francesco Galligioni – Dall’Abaco: Capricci a Violoncello Solo (2018) [FLAC 24 bit, 88,2 kHz]

Dall Abaco was born in 1710 in Brussels, he followed in the footsteps of his father and studied music, showing such talent that at the age of 19 he was appointed cellist in the court orchestra of Prince Clemens August of Bavaria in Bonn, 10 years later becoming its Kapellmeister.

However certain forms of misbehaving ( a rowdy gossipmonger, swindler and gambler he was called..) he decided to try his luck elsewhere and he moved to Verona, where he became a respected musician and composer,a member of the Accademia Filarmonica.

Dall Abaco was one of the greatest cellists of his time. Few of his compositions survived, and his 11 Capriccios for cello solo are still in manuscript. Some passages are of unparalleled virtuosity, while the style is mostly the Empfindsame Stil, melancholy and expressive.

Francesco Galligioni is one of the foremost cellists in the field of Early Music. He regularly collaborates with the Venice Baroque Orchestra, Giuliano Carmignola, Andrea Marcon, John Eliot Gardiner, Federico Guglielmo and Diego Fasolis.

Esteso Trio – Rebay: Complete Music for Clarinet, Flute & Guitar (2021) [FLAC 24 bit, 96 kHz]

Esteso Trio – Rebay: Complete Music for Clarinet, Flute & Guitar (2021) [FLAC 24 bit, 96 kHz]

The dates are deceptive: the Viennese composer Ferdinand Rebay (1880-1953) remained largely unaffected by the turbulent musical currents swirling around him in the Austrian capital during the early 20th century. Instead, he composed highly appealing music, Romantic in harmony and Classical in form, with a particular focus on the guitar. Brilliant Classics have brought his name back to light in recent years with modern recordings of the duets for clarinet and guitar (94171), the quartets for guitar, flute and strings (9250) and the sonatas for flute and guitar (9291). In a similar vein, the Italian Esteso Trio now presents three variation sets scored for clarinet, flute and guitar. The first of them is based on an Austrian folksong and conceived as a series of homages to Rebays Viennese forebears: Haydn, Mozart, Beethoven, Schubert and Johann Strauss. The second takes a Tirolean folksong for inspiration and Rebay supplied his own theme for the third, again popular in character and ending with an ebullient Scherzo. In between these highly attractive variation sets, the Esteso Trio plays a Trio and a Spanish Rhapsody, both likewise dedicated to Rebays niece, the concert guitarist Gerta Hammerschmied, who apparently inspired the composers passion for the instrument: Meiner lieben Gerta! Ostern 1941 reads the title page of the Trio. Rebay worked as a piano professor at the conservatoire and composed prolifically in his spare time more than 600 works bear his name in a spirit of relaxed craftsmanship that makes an hour spent in his company full of uncomplicated pleasure. Rebay was no dilettante – as tuneful as his music always is, it is unfailingly imaginative (MusicWeb International).

Ensemble Opificio Sonoro – Sciarrino: Chamber Music (2022) [FLAC 24 bit, 48 kHz]

Ensemble Opificio Sonoro – Sciarrino: Chamber Music (2022) [FLAC 24 bit, 48 kHz]

A contemporary-specialist Italian chamber collective makes a striking debut album with a 75th-birthday tribute to one of Italian new music’s most enduringly provocative figures.

Elliot Simpson – Dalla Gostena: 25 Lute Fantasies (2019) [FLAC 24 bit, 96 kHz]

Elliot Simpson – Dalla Gostena: 25 Lute Fantasies (2019) [FLAC 24 bit, 96 kHz]

A short-lived but prodigiously gifted Genovese musician of the 17th century rediscovered.

Ekaterina Levental – Medtner: Angel, Complete Songs, Vol. 3 (2021) [FLAC 24bit, 192 kHz]

Ekaterina Levental – Medtner: Angel, Complete Songs, Vol. 3 (2021) [FLAC 24bit, 192 kHz]

Anybody who has entered into the cosmos of Medtner’s music, and especially of his songs, will be aware of its introvert, secretive, sometimes even hermetic character. His mixture of Russian and German philosophy and art, indebted to the bicultural upbringing in his family, was unique. Yet the outstanding quality of his songs does not lie in their stylistic singularity, but in their resistance to cliches of the genre and their musical and psychological insights.

Erik Bosgraaf – Telemann: Trio Sonatas for Recorder and Viola da Gamba (2021) [FLAC 24bit, 96 kHz]

Erik Bosgraaf – Telemann: Trio Sonatas for Recorder and Viola da Gamba (2021) [FLAC 24bit, 96 kHz]

Telemann was renowned in his own day for the spontaneity and fluency of his music, which appealed to professional and amateur musicians alike. These qualities abound in his trio sonatas in particular. As he wrote in one of his autobiographies (1718): ‘In particular, people wished to persuade me that trios were my greatest strength, because I arranged them so that one voice would have as much to do as the other.’