Filatura di Musica – Canzony znane i nieznane (2020) [FLAC 24 bit, 96 kHz]

Filatura di Musica – Canzony znane i nieznane (2020) [FLAC 24 bit, 96 kHz]

‘Filatura di Musica’ is an ensemble specializing in historically informed performance. It consists of musicians who graduated from prestigious art schools: Schola Cantorum Basiliensis, Koninklijk Conservatorium in the Hague, Staatliche Hochschule für Musik in Trossingen or Conservatoire de Musique in Grenoble. Artistic pursuits of the ensemble cover two areas of repertoire. The first is Renaissance and early Baroque music, performed in the typical of this period high pitch (a1= 465 Hz). The core instrumental ensemble is a consort, the varied body of which (recorders and traverso flutes, vielle/violin, violas da gamba) contributes to expressive demonstration of arabesque melodic lines of the 16th-century polyphony and concertante dialoguing in canzonas and sonatas from early 17th century. This is complemented with singing and the sound of keyboard instruments (virginal/positive organ).

Agnieszka Tarnawska – César Franck – Six Pièces (2023) [FLAC 24 bit, 44,1 kHz]

Agnieszka Tarnawska – César Franck – Six Pièces (2023) [FLAC 24 bit, 44,1 kHz]

Six Pièces, Op. 16-21, composed between 1856 and 1864, were first published in 1868 by the small Parisian publishing house, Maeyens-Couvreur. Rollin Smith calls this event the first significant contribution to the French organ literature in more than a century, and the most important organ music written since the Organ Sonatas of Mendelssohn. The symphonic treatment of the Cavaillé-Coll organ with all its aural expression, and performance possibilities, was a revolution in the development of organ music, and marked the beginning of the new chapter. The premiere of Six Pièces took place on November 17, 1864 in the church of Sainte-Clotilde – performed by the composer himself. In April 1866, Franck presented the collection again during a private concert for Ferenc Liszt. As Vincent d’Indy noted: Liszt […] coming down from the organ-loft where Franck had just been playing these compositions to him, exclaimed with sincere emotion: “These poems have their place beside the masterpieces of Sebastian Bach!”