This stunning collaboration between Andrew Heath and James Osland is overwhelmingly informed by both a dense, drifting landscape and a love of process – a slow tone collage. Here lies beauty and delicacy – an intimate tracery of piano notes and modular tones woven between field recordings, organic electronics and shimmering guitar. ‘Once we were all here and nowhere else’ hardly dares to breathe sometimes, as it leaves you suspended in the quiet, shinning air.