Wiener Philharmoniker, Franz Welser-Möst – Neujahrskonzert 2023 / New Year’s Concert 2023 (2023) [FLAC 24 bit, 96 kHz]

Wiener Philharmoniker, Franz Welser-Möst – Neujahrskonzert 2023 / New Year’s Concert 2023 (2023) [FLAC 24 bit, 96 kHz]

The prestigious concert will be conducted by Austrian conductor Franz Welser-Möst for the 3rd time (2011, 2013).

The New Year’s Concert live from Vienna is one of the world’s most famous and spectacular classical music events. It will be broadcast on TV and radio and reaches over 90 countries around the world with more than 50 million viewers.

The annual New Year’s Day Concert in Vienna has been a major event for more than eight decades, since 1939.

Conducted by world-famous maestros such as Herbert von Karajan, Lorin Maazel, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa, Mariss Jansons, Gustavo Dudamel and Christian Thielemann.

The Vienna Philharmonic, as musical ambassadors of Austria, send people all over the world a New Year’s greeting in the spirit of hope, friendship and peace with the lively and light-hearted and at the same time nostalgic and profound music from the vast repertoire of the family of Johann Strauss and its contemporaries.

Francesco Tristano – Piano Circle Songs (2017) [FLAC 24 bit, 96 kHz]

Francesco Tristano – Piano Circle Songs (2017) [FLAC 24 bit, 96 kHz]

Unifying rather than choosing. Between his purely classical activities and his openly electro ones, Francesco Tristano Schlimé would rather not decide. For his first disc with Sony Classical, the Luxembourgish pianist and composer goes back to the solo piano. After a quick listen, we could easily place his Piano Circle Songs alongside the albums of Ludivico Einaudi, Olafur Arnalds, Nils Frahm and other Max Richter. But Francesco Tristano possesses a true musical personality. He has a relation to the music of Girolamo Frescobaldi and Carl Craig which has sculpted his musical personality. Here, the intimate and the personal are in command. The offered interlacing play as much upon the stripped-down than the repetitive. Upon the space and silence as well as the untold. The pianist avoids here the dead ends and vacuity. Recorded with a microphone put really close to the piano to pick up all the natural sounds from the instrument “as if your ear was in the piano”, this essay hosts, for four duets, another extraterrestrial pianist in the persona of Chilly Gonzales, a great magician of this type of musical miniatures… It’s a success, but above all, it’s another piece in the vast puzzle that is Francesco Tristano.

Fausto Cleva – Mascagni: Cavalleria Rusticana – Leoncavallo: Pagliacci (Remastered) (1953/2018) [FLAC 24 bit, 96 kHz]

Fausto Cleva – Mascagni: Cavalleria Rusticana – Leoncavallo: Pagliacci (Remastered) (1953/2018) [FLAC 24 bit, 96 kHz]

Sony Classical announces a further batch of complete recordings from the CBS/Sony and RCA Victor catalogues. The newest installment of this popular series features some unusual repertoire as well as documents of the New York Metropolitan Opera in its postwar heyday. At the Met with Richard Tucker in the early 1950s, Columbia made acclaimed recordings of Leoncavallos Pagliacci and Mascagnis Cavalleria rusticana, with Fausto Cleva conducting.

Francesco Tristano – On Early Music (2022) [FLAC 24bit, 96 kHz]

Francesco Tristano – On Early Music (2022) [FLAC 24bit, 96 kHz]

We have known for a long time the versatility of Francesco Tristano and his blessed inability to choose between electro and early music. From album to album, the Luxembourg pianist builds a unique and enchanting discography that blurs the lines between genres and eras, where we come across both Jean-Sébastien Bach and Derrick May. With On Early Music, Tristano pays homage to the great English masters of the Virginalist period, a pivotal moment between the end of the Renaissance and the beginning of the Baroque era. Alongside works by John Bull, Peter Philips, Orlando Gibbons and John Bull, there are two compositions by the Italian Frescobaldi, to whom Tristano had already devoted the very beautiful disc Frescobaldi Dialogues (2007). We will never get tired of Tristano’s playing, whose round and bouncy touch brings to the score an extra, almost jazzy vitality without ever distorting the subject. But the ultimate pleasure arises when the pianist improvises himself as a composer and sows here and there a few tribute titles to his elders. Somewhere between pastiche (Toccata, On Bull Galliard in D), arrangement for percussive piano (On ​​Girolamo Frescobaldi’s Quattro correnti) and futuristic variation (On Cristobal by Morales Circumdederunt), Francesco Tristano commits here the most beautiful sacrilege!

Franz Welser-Möst, Wiener Philharmoniker – New Year’s Concert 2013 (Neujahrskonzert 2013) (2013) [FLAC 24 bit, 96 kHz]

Franz Welser-Möst, Wiener Philharmoniker – New Year’s Concert 2013 (Neujahrskonzert 2013) (2013) [FLAC 24 bit, 96 kHz]

Sony Classical are proud to release the recording of one of the world’s most famous classical music events: the New Year’s Concert 2013 with the Vienna Philharmonic under the baton of celebrated conductor, Franz Welser-Möst. He returns to direct the 2013 celebrations after his acclaimed debut in 2011. Maestro Welser-Mőst is the former Music Director of the London Philharmonic Orchestra. Includes the famous waltz “The Blue Danube” & the “Radetzky March”. Usual promo & marketing activity across specialist media.

Flying Steps – Flying Pictures at an Exhibition (2019) [FLAC 24 bit, 48 kHz]

Flying Steps – Flying Pictures at an Exhibition (2019) [FLAC 24 bit, 48 kHz]

No one can accuse Flying Steps of resting on their laurels. Hot off the heels of ‘Flying Bach’ and ‘Flying Illusion’, the Berlin-based troupe are back with their most ambitious project to date. ‘Pictures at an Exhibition’ is seemingly a hundred things in one, a magical amalgamation of dance, music, live performance, art, history and all the rest, highlighted by the instantly recognisable visible art of Brazilian brothers OSGEMEOS. This is an exhibition come to life, a spiritual successor to Modest Mussorgsky’s 1874 work of the same name. As exciting for adults as it is invigorating for children, we can’t wait to see what Flying Steps come up with next.

Francesco Tristano Schlimé – Tokyo Stories (2019) [FLAC 24 bit, 96 kHz]

Francesco Tristano Schlimé – Tokyo Stories (2019) [FLAC 24 bit, 96 kHz]

The brilliantly inventive Francesco Tristano Schlimé is having fun with these Tokyo Stories. The Luxembourgish pianist’s numerous references shine through with primed balance, as if rejuvenated by the artist’s mastery of multi-style collages. While very contrasting, each title flows naturally to the next. Although a minimalist, almost repetitive style is used to full effect, it never hampers the very clear desire to constantly renew rhythms, like in Insomnia, or Electric Mirror that becomes a beautiful tribute to Johann Sebastian Bach, one of Francesco Tristano Schlimé’s idols. The more fragmented style of Pakuchi, with its overlapping layers and light jazz rhythms, appears to veer towards territories of contemporary creation rarely explored by “electro” artists. Tokyo Stories rarely explores – to our great delight – the spacey and meditative atmospheres so popular to the overwhelming neo-classic-pop piano scene. Only momentum and impetus matter here. A stellar album that truly highlights Francesco Tristano Schlimé’s multifaceted musicality at the highest level.  – Pierre-Yves Lascar

Fabio Di Casola – Serenade – Songs For Clarinet (2013/2019) [FLAC 24 bit, 44,1 kHz]

Fabio Di Casola – Serenade – Songs For Clarinet (2013/2019) [FLAC 24 bit, 44,1 kHz]

A native of Lugano, in Switzerland, Fabio Di Càsola won First Prize at the “Concours International d’Exécution Musicale de Genève” in 1990 at 23 years old. Since then, he has performed across the world. He is regularly invited by prestigious festivals and is winner of the Grand Prix Patek Philippe, the “Prix Suisse” for Contemporary Music and the Stresa International Competition for Contemporary Music.

Florian Christl – Inspiration (2018) [FLAC 24 bit, 44,1 kHz]

Florian Christl – Inspiration (2018) [FLAC 24 bit, 44,1 kHz]

Florian Christl never formally studied composition or the piano. He simply sits down at the piano and writes music that lifts your thoughts and emotions, giving them free flight, like a dream for the soul. Inspiring, full of love, hope, longing and beautiful melodies. Florian grew up in a small town in Bavaria. He loves the outdoors, the quiet of the forest, and the peace of the mountains. His greatest passion has always been making music and he spent every free moment at the piano. During his studies Florian worked as a student trainee with Sony Music. One of his colleagues was so impressed by his music that she used some of his tunes for a presentational video and in a playlist. This is how the classical department became aware of Florian.

Florian Christl – Episodes (2020) [FLAC 24 bit, 48 kHz]

Florian Christl – Episodes (2020) [FLAC 24 bit, 48 kHz]

After his debut album” Inspiration ” 2018 immediately after its release at number one on the German iTunes classical Charts, Florian Christl subsequently delighted Fans of contemporary classical music in numerous concerts. His two tours through Germany and neighbouring countries are particularly noteworthy here. But especially his sold – out tour in Russia, which will be a double sequel in 2020 due to the overwhelming popularity of the audience in March and November. On the Album Release Tour in May 2020, Christl will present pieces of his new album “Episodes” to the German audience for the first time. The Album will be released on 08 May 2020 as well as his debut album with Sony Classical.

François Leleux – Prince Esterházy Concertos (2015) [FLAC 24 bit, 44,1 kHz]

François Leleux – Prince Esterházy Concertos (2015) [FLAC 24 bit, 44,1 kHz]

Der französische Star-Oboist François Leleux ist berühmt für sein einzigartiges, facettenreiches Spiel. Sein Ton “berührt die Seele” (NDR Kultur), seine Technik ist makellos (Stern) und der Klang ist samtig und weich.

Anlässlich des 300. Geburtstages von Fürst Nikolaus I. Joseph Esterházy de Galantha präsentiert er mit dem Münchener Kammerorchester auf seinem neuen Album unterhaltsame und zugleich geistvolle Konzerte von Joseph Haydn und Johann Nepomuk Hummel, die beide als Kapellmeister das musikalische Leben am Hofe der mächtigen und musikliebenden Familie Esterházy zwischen 1761 und 1811 bestimmten.

Mit dem Solo-Flötisten der Berliner Philharmoniker, Emmanuel Pahud, hat François Leleux zwei reizvolle Konzerte Haydns, die ursprünglich für zwei drehleierartige Instrumente namens “Lira Organizzata” geschrieben worden sind, eingespielt. Darüber hinaus ein Oboenkonzert in C-Dur, welches lange Zeit Joseph Haydn zugeschrieben wurde, aber dessen wahrer Urheber bis heute weiterhin unbekannt ist. Die virtuosen Konzertvariationen op. 102 für Oboe und Orchester aus der Feder von Johann Nepomuk Hummel runden dieses besonders interessante Programm ab.

Florian Christl – Melodie (2020) [FLAC 24 bit, 48 kHz]

Florian Christl – Melodie (2020) [FLAC 24 bit, 48 kHz]

With his debut album “Inspiration” Florian Christl jumped straight on No. 1 on the iTunes Classical Charts. The 28-year-old is an autodidactic 21st century German contemporary classical composer, pianist, and arranger. His passionate, melodic compositions reflect his passion for music and inner emotions. His style can rightly be called “classical crossover,” and his music sounds right at home in the crossroads of 21st century “new classical” composers such as Max Richter and Ludovico Einaudi, and the cinematic sound of the late Johann Johansson.

Florian Christl – Live (2021) [FLAC 24 bit, 48 kHz]

Florian Christl – Live (2021) [FLAC 24 bit, 48 kHz]

Music is an amplifier for emotions, no matter whether joy, grief, happiness or enthusiasm. Music has a kind of magical power, which can lift all these feelings to an “divine” level. For a moment it feels as if we were more than ‘just’ human. This special power of music hides in every single moment and every little episode of our lives. By definition an episode is an event within a larger event, and that is exactly what this album is about. These small, perhaps irrelevant episodes are what ultimately shape us the most. It‘s time to leave life behind, to sink in thoughts to feel alive.

Eileen Farrell – Eileen Farrell – Together with Love (Remastered) (2020) [FLAC 24 bit, 96 kHz]

Eileen Farrell – Eileen Farrell – Together with Love (Remastered) (2020) [FLAC 24 bit, 96 kHz]

Eileen Farrell was an American soprano who had a nearly 60-year-long career performing both classical and popular music in concerts, theatres, on radio and television, and on disc. NPR noted, “She possessed one of the largest and most radiant operatic voices of the 20th century.” While she was active as an opera singer, her concert engagements far outnumbered her theatrical appearances. Her career was mainly based in the United States, although she did perform internationally.

Eugene Ormandy – Tchaikovsky: Symphony No. 4, Op. 36 & Serenade in C Major, Op. 48 (Remastered) (2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy – Tchaikovsky: Symphony No. 4, Op. 36 & Serenade in C Major, Op. 48 (Remastered) (2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy KBE (born Jenő Blau; November 18, 1899 – March 12, 1985) was a Hungarian-American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.

Eric Le Sage – Jardins suspendus (2022) [FLAC 24 bit, 96 kHz]

Eric Le Sage – Jardins suspendus (2022) [FLAC 24 bit, 96 kHz]

Eminent representative of the French piano school, the pianist Eric Le Sage offers a new album in the form of a poetic walk in the secret gardens of 22 French composers of the late 19th and early 20th century.

Between the Belle Époque and the Roaring Twenties, around two world wars that had to be healed, in the vertigo of all the rebirths and that of progress on the march, music also needed calm, humanity and natural intimacy. While twenty-two French composers cultivate their secret soul, in a few piano miniatures, electricity, the gramophone, the little queen, the Parisian metro … are already inviting themselves into people’s daily lives.

Erwin Schrott – Arias (2012/2015) [FLAC 24 bit, 48 kHz]

Erwin Schrott – Arias (2012/2015) [FLAC 24 bit, 48 kHz]

Arias is Uruguayan bass-baritone Erwin Schrott’s third solo recital album for Sony, the first a collection of arias and the second is made up of vocal tangos. There are a few standards here — the Toreador Song, Le veau d’or from Faust, and the Te Deum scene from Tosca — but for the most part these selections come from off the beaten track. There are arias or scenes from I Lombardi, Attila, Mefistofele, and Don Quichotte, as well as from real rarities like Antônio Carlos Gomez’s Salvator Rosa and Pablo Sorozábal’s zarzuela, La taberna del Puerto. Schrott seems even more vocally secure than he did in his 2008 debut album, particularly in his more focused intonation, and his voice has darkened somewhat. His is a powerful, resonant instrument full of color and character, and he deploys it with plenty of force in these high energy arias. The vast majority of the characters in these selections are villainous, and he tears into the roles with ferocious intensity. He’s effective throughout, but he’s especially impressive in the scenes from Mefistofele, Faust, Tosca, and the Verdi. A striking exception to the villainy is the tenderness and frailty he conveys in Don Quichotte’s poignant death scene. Daniele Rustioni leads ORF Radio-Symphonieorchester Wien and Wiener Staatsopernchor in persuasive accompaniment. The sound is clean but the voice is foregrounded a little too prominently; the balance and ambience just don’t sound realistic, like any actual live performance situation. That’s not likely to be a deterrent to Schrott’s fans, who won’t want to miss these outstanding performances.

Ezio Bosso – The Roots (A Tale Sonata) (2018) [FLAC 24 bit, 96 kHz]

Ezio Bosso – The Roots (A Tale Sonata) (2018) [FLAC 24 bit, 96 kHz]

EzioBossois one of the most interesting Italian composers of our time. His compositions for piano solo, piano and orchestra, orchestra and chamber ensembles are moving and exciting.

After the latest two albums where Bossoconducted the orchestra (“The Venice Concert” and the album with his StradivariFestivalChamber Orchestra) “Roots” is the first piano album after the successful The 12th Room which was released two years ago.

Cellist Relja Lukic, one of the best cello players today in Italy, performs in all tracks (except for the Bagatelle).
The brand new Sonata For Piano and Cello No.1 “Roots” composed by Bossois here recorded for the first time.

Eugene Ormandy – Strauss: Rosenkavalier Suite, Op. 59 & Die Frau ohne Schatten, Op. 65 (Remastered) (1959/2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy – Strauss: Rosenkavalier Suite, Op. 59 & Die Frau ohne Schatten, Op. 65 (Remastered) (1959/2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy KBE (born Jenő Blau; November 18, 1899 – March 12, 1985) was a Hungarian-American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.

Eugene Ormandy – Ormandy Conducts Works by McDonald, White, Hanson and Kennan (Remastered) (2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy – Ormandy Conducts Works by McDonald, White, Hanson and Kennan (Remastered) (2021) [FLAC 24 bit, 96 kHz]

Eugene Ormandy KBE (born Jenő Blau; November 18, 1899 – March 12, 1985) was a Hungarian-American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.