Ensemble Pro Victoria – Tudor Music Afterlives (2022) [FLAC 24 bit, 96 kHz]

Ensemble Pro Victoria – Tudor Music Afterlives (2022) [FLAC 24 bit, 96 kHz]

Following the freshness and vigour of their quincentenary portrait celebration of Robert Fayrfax, Ensemble Pro Victoria’s second Delphian album brings a similar boldness of approach to a wider-ranging collection, charting some rarely explored territory from a time of great religious, societal and musical change. Broken fragments of huge pre-Reformation works, preserved only in lute tablature; the first reconstruction and recording of some of the earliest Anglican psalm settings ever written; French chansons and motets once popular in England; improvisatory organ verses within Lady Mass movements by Ludford; and an English-texted version of a much-loved Tallis anthem that shows it in a quite different light: these forgotten “afterlives” of earlier Tudor music help build a much more complete picture of music in sixteenth-century England.

Bojan Čičić, The Illyria Consort – Johann Jakob Walther: Scherzi da violino solo (2022) [FLAC 24 bit, 96 kHz]

Bojan Čičić, The Illyria Consort – Johann Jakob Walther: Scherzi da violino solo (2022) [FLAC 24 bit, 96 kHz]

Johann Jakob Walther was one of the most significant violinists in Germany in the generation before Johann Sebastian Bach, and Bojan Čičić believes his music should be essential listening for anyone seeking a fuller understanding of Bach’s polyphonic writing for the instrument. Having built their reputation with a series of Delphian recordings focussing on “missing link” composers, Čičić and his Illyria Consort are passionate about bringing Walther’s collection of Scherzi da violino to the wider audience it deserves. This first complete recording displays the sheer ambition of Walther’s opus, with highlights including his demonstration of the violin’s polyphonic potential in the D major Sonata (No. III); the joyful playfulness of the end of No. IV; the inventiveness of the Imitatione del cuccu; and – Bojan Čičić’s personal favourite – the dramatic melancholy of the final Aria in E minor.