Described by Christina Vantzou as “almost like a first album”, “No. 5” is the experimental composer’s most personal and autobiographical despatch yet, a reduced, environmentally aware array of field recordings, piano, unearthly vocals, modular synth and subtle, candid orchestrals. Utterly bewitching music, somewhere between Grouper, Sarah Davachi, Félicia Atkinson, and Cucina Povera.