Duisburg Philharmonic Orchestra, Justin Taylor, Axel Kober – Poulenc, Schreker & Zimmermann: Orchestral Works (2022) [FLAC 24bit, 192 kHz]

Duisburg Philharmonic Orchestra, Justin Taylor, Axel Kober – Poulenc, Schreker & Zimmermann: Orchestral Works (2022) [FLAC 24bit, 192 kHz]

The French composer Francis Poulenc wrote his Concert champêtre for harpsichordist Wanda Landowska. In doing so, he made a contribution to the renaissance of this historic keyboard instrument, having learned to play on a modern version made by the French builder Pleyel. The arrangement of the work is highly original. On the one hand, it is extremely contemporary. On the other hand, the piece is in the style of French Baroque harpsichordists and its most important representatives Francois Couperin and Jean-Philippe Rameau. The main instrumental work of the opera composer Franz Schreker not only begs a comparison to Arnold Schoenberg’s First Chamber Symphony, but also fulfils the principle developed by Franz Liszt of melding various types of movements into a large one-movement form. Bernd Alois Zimmermann’s Un “petit rien” was taken from his own music for a radio drama and links the title to a ballet composition by Wolfgang Amadeus Mozart.

Boris Bloch, Duisburg Philharmonic Orchestra, Jonathan Darlington – Dvořák, Chopin, Tschaikowsky (2009) [FLAC 24 bit, 192 kHz]

Boris Bloch, Duisburg Philharmonic Orchestra, Jonathan Darlington – Dvořák, Chopin, Tschaikowsky (2009) [FLAC 24 bit, 192 kHz]

Antonín Dvorák Concerto for Piano and Orchestra G minor, Frédéric Chopin / Pjotr Iljitsch Tschaikowsky Soloworks for Piano

Alexei Melnikov – Beethoven, Chopin & Liszt: Piano Works (2018) [FLAC 24bit, 96 kHz]

Alexei Melnikov – Beethoven, Chopin & Liszt: Piano Works (2018) [FLAC 24bit, 96 kHz]

At first glance, there seems to be a disparity between Ludwig van Beethoven’s thirty-two piano sonatas and only one pure piano sonata by Franz Liszt. But just as Hans von Bulow called the Beethoven sonatas the “New Testament of Pianists,” the B-minor piano sonata is one of the most important of Franz Liszt’s compositions in terms of its form, technical demands and content. The connection between these composers is not even too far-fetched, since the eleven year-old Franz Liszt studied in Vienna with Beethoven’s student Carl Czerny. Not only did Franz Liszt later champion the prevalence of the works of Ludwig van Beethoven, he also supported the construction of the Beethoven monument in Bonn. Alexei Melnikov began to show talent in piano and composition when he was just a young child. This is his debut album.

Alexander Gadjiev – Literary Fantasies (2018) [FLAC 24bit, 192 kHz]

Alexander Gadjiev – Literary Fantasies (2018) [FLAC 24bit, 192 kHz]

“Romanticism” is characterized by crossing all kinds of boundaries. Usually, the titles of compositions give us insight into how their creators were inspired by literature, landscapes or works of art. But mere titles do not exhaust the phenomenon of crossing borders the least. Many artists have multiple talents. Franz Liszt not only composed, but was also an outstanding piano virtuoso. Robert Schumann had to give up his promising piano career. Both possessed literary talent. On this new release, Alexander Gadjiev performs works by Liszt and Schumann that were inspired by literature. Tutored by his father, a well-known Russian teacher, Alexander Gadjiev played a solo concerto for the first time with orchestra at the age of nine and held his first solo recital aged ten. He is currently studying with Pavel Gililov at Mozarteum Salzburg and participating in prestigious masterclasses such as the “Eppan Piano Academy” and “Verbier Piano Academy,” both limited to a very small number of selected pianists from around the world.

Akane Sakai – Voyages (2022) [FLAC 24 bit, 192 kHz]

Akane Sakai – Voyages (2022) [FLAC 24 bit, 192 kHz]

Born in Nagoya in Japan, began her piano studies at early age under the influence of her mother.

After graduated Toho-Gakuen school of music (Japan) in the class of Midori Miura, she obtained a 1er prix with excellence guided by Prof. Alan Weiss at Lemmens instituut in Belgium. Equally her advanced training she guided by Lilya Zilberstein and Pavel Gililov. She is the prize-winner of the “Young artist development “by the Japanese culture of minister. And also obtained scholarship by Yellow Angel Foundation Japan.

Regularly appearing in the musical scenes such as Philharmonie de Paris,Suntory Hall in Tokyo ,Salle Pleyel in Paris, Palais des Beaux Ars in Brussels, Theatro Colon in Buenos Aires .

Akane has invited to perform with renowned orchestras including the Kremerata Baltica,Sinfonia Varsovia, Symphoniker Hamburg,Orchestra Della Svizzra Italiana ,Tokyo symphony orchestra under baton of Alexander Vedernikov, Jean-Jacques Kantorow,Naoto Otomo and Hubert Sudant.