Damian Marhulets – Lilith’s Lullabies (2018) [FLAC 24 bit, 48 kHz]

Damian Marhulets – Lilith’s Lullabies (2018) [FLAC 24 bit, 48 kHz]

Close your eyes. Think back to your childhood. To falling asleep. What do you hear? What do you remember hearing? Chances are it’s a lullaby.

For Damian Marhulets, his interest in this musical form stems from the birth of his daughter, a moment he felt would always arrive. “I’ve had this strange premonition since I was a teenager that I would be a father and have a daughter…I always knew it was going to happen,” he explains. And yet when it did, it changed him profoundly – and musically – in ways he’d never imagined.

“We found a couple of lullabies on YouTube, and it was interesting to find a piece of music you can play for hours or days. Then I realised there are musical pieces which are very important to my child and my relationship with her, pieces that are not to get her to sleep but to help her wake. So I started thinking about the concept of the lullaby, which is a threshold song; a song to help you to get to the other side of your consciousness.” And thus the seed for his dreamy, immersive new album, Lilith’s Lullabies, was sown.

Dandelion Quintett, Kontai Ensemble – Music as a Mirror (2022) [FLAC 24bit, 96 kHz]

Dandelion Quintett, Kontai Ensemble – Music as a Mirror (2022) [FLAC 24bit, 96 kHz]

The music of contemporary composer Sophia Jani is characterized by it’s great independence from structures and conventions as well as by it’s musical poetry within a minimalist approach. Her debut album “Music as a Mirror” presents works for woodwind quintet, string quartet and piano. In the largely male environment with this album Sophia Jani aims to take a different perspective and position as a unique female voice. Sophia Jani’s music lives from influences of various artists of all times and nations: from Bach and Schubert to the European and American avant-garde of the 20th and 21st century, to avant-pop artists like Bjo”rk and Ryuichi Sakamoto, or electronic music producers such as Tim Hecker, Laurel Halo or Skee Mask. In this way, she creates music that spans a dramaturgical arc while suspending any sense of time – calm, powerful, elegant, dance-like. Thus she finds a poetic minimalism that takes it’s listeners by the hand and imaginatively and cleverly opens a new horizon.

Ceeys – Hiddensee (2019) [FLAC 24 bit, 48 kHz]

Ceeys – Hiddensee (2019) [FLAC 24 bit, 48 kHz]

Brothers Sebastian and Daniel Selke’s music can be likened to an exercise of memory retrieval. All of their four albums explore and pay tribute to their past; growing up in East Berlin in the final decade of the GDR. At its core, the duo’s music can be heard as a dialogue between siblings about their shared upbringings and experiences, a conversation given form through Sebastian’s cello and Daniel’s piano keys, in the fusion that becomes CEEYS. In 2017, the duo also founded Q3 AMBIENTFEST, a three-day happening for neoclassical and experimental music, which seeks to explore the cultural and musical impact of East German heritage.

Ceeys – Hausmusik (2020) [FLAC 24 bit, 44,1 kHz]

Ceeys – Hausmusik (2020) [FLAC 24 bit, 44,1 kHz]

Throughout their careers, the Potsdam-based brothers Sebastian and Daniel Selke have repeatedly dealt with issues of their communist-dominated East German heritage. The memories saved by their music are by far not only historical, but above all emotional.

At its core, the music of the duo can be heard like a dialogue between brothers about their upbringing and their experiences, a conversation that takes shape through Sebastian’s cello and Daniel’s piano, and which unites in their joint playing to form CEEYS. Their new album ‘HAUSMUSIK’ is a musical continuation of this dialogue – a melodic search for balance and harmony.

Carolina Eyck – Thetis 2086 (2022) [FLAC 24bit, 48 kHz]

Carolina Eyck – Thetis 2086 (2022) [FLAC 24bit, 48 kHz]

The composer and master of the theremin Carolina Eyck releases with Thetis 2086 an album about the beauty of the earth and its fragility. She takes the perspective of an extraterrestrial visitor to the fictional planet Thetis 2086 and composes an album that impressively demonstrates the sonic breadth of theremin, combines electronic and vocal elements, and in parallel addresses one of the most urgent social problems of our time. Together with the Dutch producer Remco Hazewinkel, she presents the first album in Dolby Atmos on Neue Meister.

Asger Baden – If the Music Stops, They’ll Eat Him Up (2021) [FLAC 24bit, 48 kHz]

Asger Baden – If the Music Stops, They’ll Eat Him Up (2021) [FLAC 24bit, 48 kHz]

Danish composer, pianist and producer Asger Baden has made a name for himself as a film and TV-series composer with his atmospheric music featured in world-acclaimed productions such as “Breaking Bad” and “The Wolfpack”. After having worked on several collaborative projects and composing with his bands “The Crooked Spoke” and “Cours Lapin”, Baden now releases his album of solo material, “If the music stops, they’ll eat him up” via Berlin-based label Neue Meister.

Arnold Kasar – Resonanz (2019) [FLAC 24bit, 44,1 kHz]

Arnold Kasar – Resonanz (2019) [FLAC 24bit, 44,1 kHz]

On 29 March 2019 Arnold Kasar releases his new album “Resonanz” at Neue Meister. An album from the observation to the deconstructed melody, to the dark drone and then back to contemplation.

Arnold Kasar – My Favourite Colours (2023) [FLAC 24 bit, 96 kHz]

Arnold Kasar – My Favourite Colours (2023) [FLAC 24 bit, 96 kHz]

Four years after RESONANZ Arnold Kasar proudly announces the next piano/electronic/crossover album MY FAVOURITE COLOURS. 14 exciting new tracks, starting with the first single VIOLET SUNSET on Feb 10, album release date : May 26.

Arnold Kasar‘s music originates from the intersection of electronic , ambient, and classical piano music. Since his solo debut in 2012, Kasar‘s work has produced surprising blends of these genres. His album „Einfluss“, made in collaboration with Roedelius, was critically acclaimed and set new standards. On the Neue Meister label, Arnold Kasar debuted in 2019 with the album „RESONANZ“. That album is now followed by a similar new album called „MY FAVOU-RITE COLOURS“.

Alphaville, Deutsches Filmorchester Babelsberg – Eternally Yours (2022) [FLAC 24 bit, 44,1 kHz]

Alphaville, Deutsches Filmorchester Babelsberg – Eternally Yours (2022) [FLAC 24 bit, 44,1 kHz]

Eternally Yours actually sounds to my ears as if it were really the first Alphaville album – only that it wasn’t released forty years ago. We just didn’t have an orchestra at hand back then, but ‘only’ synthesizers and rhythm machines.” – Marian Gold. Eternally Yours is about permanence and transience. The lyrics of the songs from four decades are for the most part written by Marian Gold herself. A central theme for Alphaville and Marian Gold has always been dreaming: ‘We get around quite a lot, we’ve played almost everywhere, in and out of our heads. All this contributes to our music, to the idea of what Alphaville could be. It’s like a never-ending dream. Those who listen to our music hear fragments of that dream.’ The all- new and titular song reads like a farewell letter. In fact, except for the chorus, all the lines are taken from sonnets by Shakespeare. Marian Gold and his two arrangers Max Knoth and Christian Lohr succeed on this album in providing the musical substance of the songs with the appropriate sound content. At the same time, the songs do not sound unusually bloated or overused – on the contrary: as a listener, one wonders about the natural, warm, even familiar sounds and asks oneself why there have not been more symphonic arrangements of Alphaville songs before.