Ernst von Dohnányi – A Memorial Album: Ernst von Dohnányi Plays His Own Music For Piano (1960/2013) [FLAC 24 bit, 192 kHz]

Ernst von Dohnányi – A Memorial Album: Ernst von Dohnányi Plays His Own Music For Piano (1960/2013) [FLAC 24 bit, 192 kHz]

On February 5, 1960, Ernst von Dohnanyi, one of the great composers and piano virtuosi of the twentieth century, was busily engaged in the New York studios of Everest Records, making recordings of music by Beethoven. Shortly thereafter, he suffered a heart attack, followed by an attack of influenza. Four days later he was dead. Thus, the music he recorded for Everestrepresents the very last performances by this remarkable artist. At eighty-two, an age when most musicians have long since retired, Dohnanyi, as these recordings will attest, still possessed a commanding technique, an enormous tone and an authoritative interpretive style.

Rochester Philharmonic Orchestra, Theodore Bloomfield – Debussy: Iberia; Ravel: La Valse, Rhapsodie Espagnole (1960/2013) [FLAC 24 bit, 192 kHz]

Rochester Philharmonic Orchestra, Theodore Bloomfield – Debussy: Iberia; Ravel: La Valse, Rhapsodie Espagnole (1960/2013) [FLAC 24 bit, 192 kHz]

With these three colorful French orchestral masterpieces, a brilliant American conductor – Theodore Bloomfield – and a great American orchestra – the Rochester Philharmonic – make their debuts on Everest Records. Thanks to the unsurpassed fidelity of Everest sound, it is possible to enjoy exact duplicates of the original live performances.

Charles K. L. Davis, Stadium Symphony Orchestra of New York, Wilfred Pelletier – Charles K. L. Davis sings Romantic Arias from Favorite Operas (1958/2013) [FLAC 24 bit, 192 kHz]

Charles K. L. Davis, Stadium Symphony Orchestra of New York, Wilfred Pelletier – Charles K. L. Davis sings Romantic Arias from Favorite Operas (1958/2013) [FLAC 24 bit, 192 kHz]

The stirring young voice of Charles K. L. Davis brings you in this album a number of the world’s favorite arias, his voice ranging from lines of lyric beauty to passages of dramatic power. The melodic splendor of Puccini, the vigor and brilliance of Verdi, the exquisite expressiveness of Mozart – all are here, along with others – demonstrating many styles, moods, and feelings. Members of the New York Philharmonic (The Stadium Symphony Orchestra of New York) are joined by famed Metropolitan Opera conductor Wilfred Pelletier.

London Symphony Orchestra, Aaron Copland – Copland: Symphony No. 3 (1958/2013) [FLAC 24 bit, 192 kHz]

London Symphony Orchestra, Aaron Copland – Copland: Symphony No. 3 (1958/2013) [FLAC 24 bit, 192 kHz]

Aaron Copland composed his Third Symphony on a commission from the Koussevitzky Music Foundation. He formulated initial plans for it in 1943, but actual work on the symphony was not begun until August, 1944, while he was staying in a little village in Mexico. The symphony was completed on September 29, 1946, barely in time for its premiere by Serge Koussevitzky and the Boston Symphony Orchestra on October 18 of that year. The score bears a dedication “To the memory of my dear friend Natalie Koussevitzky.”

Stadium Symphony Orchestra of New York, Carlos Chávez – Chávez: Sinfonia India, Sinfonia de Antigona & Sinfonia Romantica (Remastered) (2018) [FLAC 24 bit, 96 kHz]

Stadium Symphony Orchestra of New York, Carlos Chávez – Chávez: Sinfonia India, Sinfonia de Antigona & Sinfonia Romantica (Remastered) (2018) [FLAC 24 bit, 96 kHz]

This is composer Carlos Chávez himself who conducts these recordings of his own works, made in 1958 with the New York Stadium Orchestra. This is an orchestra “for the occasion”, gathering without any doubt the best musicians from the various New York orchestras, which is confirmed by the list of conductors that were at its helm: Stokowski mainly, Bernstein sometimes. This is thus one of these extraordinary concert and studio orchestras, and it must be said that these Chávez sessions are truly exceptional: the composer instills his incredible vital rage to these musicians, in his first (Sinfonia de Antigona, 1932), second (Sinfonia India, 1936) and fourth (Sinfonia romantica, 1952) symphonies. The titles have been coined by Chávez, and it should be made clear that “India” actually applies to the pre-Columbian civilizations from which come singular ritual or folk chants, perpetuated by the Ancients, up to and including during our time: nowadays we would probably talk about “pre-Hispanic” or “Native American” symphony. These historical recordings have of course been subject to a superb remaster, so that them being around sixty years old really doesn’t show. A must-hear.

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 3 in E-flat Major, Op. 55 ‘Eroica’ (1960/2013) [FLAC 24bit, 192 kHz]

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 3 in E-flat Major, Op. 55 ‘Eroica’ (1960/2013) [FLAC 24bit, 192 kHz]

Beethoven’s Eroica represents his symphonic declaration of independence from the domination of Haydn and Mozart. He spent two years composing it, polishing and refining each phrase until he had exactly what he wanted. The results must have proved startling to the symphony’s first hearers. Not only was it probably by far the longest symphony written up to that time but it had more daring innovations.

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 5 in C Minor, Op. 67 & Egmont Overture (2013) [FLAC 24bit, 192 kHz]

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 5 in C Minor, Op. 67 & Egmont Overture (2013) [FLAC 24bit, 192 kHz]

In presenting a new recording of one of the world’s most popular symphonies, the Fifth Symphony of Beethoven, it is fitting that it should be conducted by a musician internationally acclaimed as one of the foremost Beethoven interpreters of our day, Josef Krips. All the dynamism of the music and its performance has been faithfully preserved through the magic of Everest sound.

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral” (2013) [FLAC 24bit, 192 kHz]

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral” (2013) [FLAC 24bit, 192 kHz]

This beautiful “nature” symphony receives an exquisite performance at the hands of a noted Beethoven interpreter. The composer’s sounds of nature are reproduced with like naturalness in Everest’s incomparable recording.
Beethoven’s Pastoral Symphony lives up to its name in more ways than one. To begin with, it is the most relaxed of his nine symphonies. Sir Donald Francis Tovey has written of it that it “has the enormous strength of someone who knows how to relax.” Composed in 1808, hard upon the heels of the stormy, dramatic Fifth Symphony, it came as a sort of feminine companion to its definitely masculine predecessor.
It is not at all surprising that Beethoven should have written a work like the Pastoral. Throughout his life, his favorite pastime was taking long, solitary walks in the countryside, mostly in the vicinity of Vienna. It was during these quiet hours that he could commune with Nature, unhampered by his ever-increasing deafness. And it was these nature walks that inspired so much of his writing. Perhaps the most directly traceable manifestation of Nature’s influence upon the composer is the Sixth Symphony, with its imitations of the smooth-flowing brook, the bird-calls, the rustic peasant dances, the thunderstorm and the shepherd’s song.

London Philharmonic Orchestra, Malcolm Arnold – Arnold: 4 Scottish Dances & Symphony No. 3 (1959/2013) [FLAC 24bit, 192 kHz]

London Philharmonic Orchestra, Malcolm Arnold – Arnold: 4 Scottish Dances & Symphony No. 3 (1959/2013) [FLAC 24bit, 192 kHz]

Malcolm Arnold (1921-2006) was a successful English contemporary composer, known for his musical versatility. He was a renowned professional trumpeter, joining the London Philharmonic Orchestra as third trumpeter in 1941; within a year had graduated to the first chair in the trumpet section.

Ernst von Dohnányi – A Memorial Album: Ernst von Dohnányi Plays His Own Music For Piano (1960/2013) [FLAC 24bit, 192 kHz]

Ernst von Dohnányi – A Memorial Album: Ernst von Dohnányi Plays His Own Music For Piano (1960/2013) [FLAC 24bit, 192 kHz]

On February 5, 1960, Ernst von Dohnanyi, one of the great composers and piano virtuosi of the twentieth century, was busily engaged in the New York studios of Everest Records, making recordings of music by Beethoven. Shortly thereafter, he suffered a heart attack, followed by an attack of influenza. Four days later he was dead. Thus, the music he recorded for Everest represents the very last performances by this remarkable artist. At eighty-two, an age when most musicians have long since retired, Dohnanyi, as these recordings will attest, still possessed a commanding technique, an enormous tone and an authoritative interpretive style.

Adrian Boult, London Philharmonic Orchestra – Hindemith: Symphony in E-flat (2013) [FLAC 24bit, 192 kHz]

Adrian Boult, London Philharmonic Orchestra – Hindemith: Symphony in E-flat (2013) [FLAC 24bit, 192 kHz]

Artist: Adrian Boult, London Philharmonic OrchestraAlbum: Hindemith: Symphony in E-flatGenre: ClassicalLabel: EverestRelease Date: 2013Audio Format:: FLAC (tracks) 24bit, 192 kHzDuration:…