Paavo Järvi – Nielsen: The Complete Symphonies 1-6 (2015) [FLAC 24bit, 44,1 kHz]

Paavo Järvi – Nielsen: The Complete Symphonies 1-6 (2015) [FLAC 24bit, 44,1 kHz]

Paavo Järvi is one of the most successful and distinctive conductors in the international music scene. His recordings of the complete Beethoven and Bruckner symphonies have received rave reviews and are in fact regarded as “reference recordings” (Fono Forum). His current project with the Frankfurt Radio Symphony is again another great symphonic cycle: the six symphonies by Denmark’s most famous composer, Carl Nielsen (1865 – 1931), whose 150th anniversary is celebrated this year.

Emanuel Ax – Brahms: Piano Quintet in F Minor, Op. 34 (1984/2018) [FLAC 24 bit, 96 kHz]

Emanuel Ax – Brahms: Piano Quintet in F Minor, Op. 34 (1984/2018) [FLAC 24 bit, 96 kHz]

Pianist Emanuel Ax was born in Lvov, Poland, and performs in recital and with major symphony orchestras around the world. He appears regularly at the BBC Proms, Blossom Festival, Edinburgh Festival, Hollywood Bowl, Mostly Mozart Festival, the Tanglewood Festival, and Ravinia Festival, among many others. Frequent chamber music performance collaborators include Isaac Stern, Yo-Yo Ma, and Young Uck Kim. Among his many world premieres of 20th- and 21st-century music include Joseph Schwantner’s Piano Concerto with the St. Louis Symphony under Leonard Slatkin (1988). He has recorded more than 20 discs for RCA records and has been an exclusive Sony Classical recording artist since 1987. He received Grammy Awards in 1985 and 1986 for recordings of Brahms and Beethoven with Yo-Yo Ma. He was also the winner of the first Arthur Rubinstein International Piano Competition in 1974, the Michaels Award of Young Concert Artists in 1975, and the Avery Fisher Prize in 1979.

Emanuel Ax – Ravel: Gaspard de la nuit, M. 55 & Valses nobles et sentimentales, M. 61 & Ma mère l’Oye, M. 60 (Remastered) (1978/2018) [FLAC 24 bit, 96 kHz]

Emanuel Ax – Ravel: Gaspard de la nuit, M. 55 & Valses nobles et sentimentales, M. 61 & Ma mère l’Oye, M. 60 (Remastered) (1978/2018) [FLAC 24 bit, 96 kHz]

Born in Poland in 1949, Emanuel Ax moved with his family to Canada before settling in New York City in 1961. There, beginning in 1966, he studied piano with Mieczyslaw Munz at the Juilliard School of Music. He made a concert tour of South America in 1969; in the year that followed he completed a bachelor’s degree in French at Columbia University and became an American citizen.

Ax had his New York recital debut in 1973, at Alice Tully Hall. In 1974, at the age of twenty-five, he took first place in the Arthur Rubinstein International Piano Master Competition in Tel Aviv. A successful American concert tour was the result, along with numerous European appearances. He received the prestigious Young Concert Artists’ Michaels Award in 1975, and the coveted Avery Fisher Prize in 1979.

An exclusive Sony Classical recording artist since 1987, Mr. Ax made his debut on this label with a collection of Chopin scherzos and mazurkas. He has won two Grammy Awards, both for recordings of the piano sonatas of Franz Joseph Haydn.

Devoted to chamber music, Mr. Ax regularly performs with artists such as Yo-Yo Ma, Peter Serkin, Young Uck Kim, and Jaime Laredo; the late Isaac Stern was also a frequent partner. These collaborations frequently result in widely acclaimed recordings and additional Grammy Awards.

In recent years Mr. Ax has developed an enthusiasm for twentieth-century music, including the works of Paul Hindemith, Aaron Copland, and others. He has given the premier performances of compositions by John Adams, Christopher Rouse, Bright Sheng, Melinda Wagner, and others. This growing interest in contemporary music has produced numerous commissions for new music and further additions to his acclaimed discography.

Emanuel Ax – Beethoven: Piano Sonatas Nos. 23 & 26 (Remastered) (1981/2018) [FLAC 24 bit, 96 kHz]

Emanuel Ax – Beethoven: Piano Sonatas Nos. 23 & 26 (Remastered) (1981/2018) [FLAC 24 bit, 96 kHz]

Born in Poland in 1949, Emanuel Ax moved with his family to Canada before settling in New York City in 1961. There, beginning in 1966, he studied piano with Mieczyslaw Munz at the Juilliard School of Music. He made a concert tour of South America in 1969; in the year that followed he completed a bachelor’s degree in French at Columbia University and became an American citizen.

Emanuel Ax – Dvorák: Piano Quintet in A Major, Op. 81 (1977/2018) [FLAC 24 bit, 96 kHz]

Emanuel Ax – Dvorák: Piano Quintet in A Major, Op. 81 (1977/2018) [FLAC 24 bit, 96 kHz]

Born in Poland in 1949, Emanuel Ax moved with his family to Canada before settling in New York City in 1961. There, beginning in 1966, he studied piano with Mieczyslaw Munz at the Juilliard School of Music. He made a concert tour of South America in 1969; in the year that followed he completed a bachelor’s degree in French at Columbia University and became an American citizen.

Emanuel Ax – Chopin: Piano Concerto No. 2, Op. 21 & 3 Novuelles Études & Scherzo No. 2, Op. 31 (Remastered) (1978/2018) [FLAC 24 bit, 96 kHz]

Emanuel Ax – Chopin: Piano Concerto No. 2, Op. 21 & 3 Novuelles Études & Scherzo No. 2, Op. 31 (Remastered) (1978/2018) [FLAC 24 bit, 96 kHz]

Born in Poland in 1949, Emanuel Ax moved with his family to Canada before settling in New York City in 1961. There, beginning in 1966, he studied piano with Mieczyslaw Munz at the Juilliard School of Music. He made a concert tour of South America in 1969; in the year that followed he completed a bachelor’s degree in French at Columbia University and became an American citizen.

Dick Hyman – Scott Joplin – The Complete Works For Piano (2023 Remastered Version) (2023) [FLAC 24 bit, 192 kHz]

Dick Hyman – Scott Joplin – The Complete Works For Piano (2023 Remastered Version) (2023) [FLAC 24 bit, 192 kHz]

Between January and April 1975, classically trained, award-winning jazz pianist and composer Dick Hyman – whose prodigious resume includes playing with Dizzy Gillespie, Charlie Parker and Benny Goodman, writing and arranging for Count Basie, and scoring most of Woody Allen’s films – went to RCA’s Studio A in New York City and made the definitive recording of ragtime legend Scott Joplin’s piano works. Now, at last, Sony Classical is releasing Hyman’s entire Joplin album on three CDs. This is truly Joplin’s complete piano works. It even includes the six short exercises that make up his 1908 School of Ragtime, with the printed prefatory notes read by 92-year-old Eubie Blake, a friend of Joplin’s and a superb ragtime player himself. Also featured here are Joplin’s lesser-known marches and waltzes. And there’s a bonus: The set includes Hyman’s own twelve delightful improvisations on themes by Joplin, which he intended to demonstrate the composer’s influence on the development of jazz harmony and melody.

Sebastian Bohren, Chaarts Chamber Artists – Equal – Beethoven: Violin Concerto, Op. 61; Schumann: Fantasia, Op. 131; Françaix: Nonetto (2016) [FLAC 24bit, 96 kHz]

Sebastian Bohren, Chaarts Chamber Artists – Equal – Beethoven: Violin Concerto, Op. 61; Schumann: Fantasia, Op. 131; Françaix: Nonetto (2016) [FLAC 24bit, 96 kHz]

A singular combination of Beethoven’s only violin concerto (most recently recorded for SONY by Lisa Batiashvili in 2007) with Schumann’s “Fantasy For Violin & Orchestra” Op. 131. The Fantasy was lauded at its premiere but today it is rarely seen on concert programs. In a letter dated June 2nd, 1853 and accompanied by a score of Beethoven’s Violin Concerto – the link to our recording -, Joachim requested Schumann to write a Fantasy for the violin. A few months later in September, within a few short days, Schumann had sketched the Fantasy and sent it to Joachim for review. Joachim performed the Fantasy at the Schumann’s home on September 28th and premiered it in Düsseldorf on October 27th with the orchestra under the baton of Schumann himself. The following year, on January 21st, Joachim performed the Fantasy again. On the same program, Schumann’s wife Clara also performed Beethoven’s Piano Concerto in E-flat major. It would be the last time Schumann heard both of them perform.

Arnold Schoenberg Chor, Wiener Philharmoniker, Nikolaus Harnoncourt – Brahms: Ein Deutsches Requiem (2010) [FLAC 24 bit, 96 kHz]

Arnold Schoenberg Chor, Wiener Philharmoniker, Nikolaus Harnoncourt – Brahms: Ein Deutsches Requiem (2010) [FLAC 24 bit, 96 kHz]

Something new is always to be expected whenever Nikolaus Harnoncourt turns his attention to an important piece of music. In recent years he has been giving audiences a fresh view on some of the masterpieces of Romantic and late-Romantic music. His account of Brahms’ German Requiem is based on a thorough study of the composer’s ideas on how it should be performed. His is a sensitive interpretation that takes a completely new approach to the work. Technically and artistically, the new disc is a perfect record of the concert given in Vienna in December 2007, which was greeted enthusiastically by music press and audiences alike. A high-profile line-up comprises the Arnold Schoenberg Choir, whose connection with Harnoncourt goes back more than thirty years, and the Vienna Philharmonic, one of the world’s greatest orchestras. The two solo vocal parts are ideally cast with soprano Genia Kühmeier and internationally-renowned baritone Thomas Hampson. In 2009 Harnoncourt was honoured with the much-deserved Gramophone Lifetime Achievement Award.

Jascha Heifetz, Brooks Smith – Beethoven: Kreutzer Sonata (2016) [FLAC 24bit, 192 kHz]

Jascha Heifetz, Brooks Smith – Beethoven: Kreutzer Sonata (2016) [FLAC 24bit, 192 kHz]

The triumphs of Jascha Heifetz are well known: first public performance in his hometown of Vilnius, Lithuania at the age of 5; Berlin Philharmonic debut at the age of 11; one of the most memorable debuts in the annals of Carnegie Hall at the age of 16; followed by tours, long before the ease of air travel, to the far reaches of the world: Japan, Australia, South America, India, the Middle East, and beyond—conquering audiences wherever he went. In all, he had a public career lasting some 65 years.

Ania Dorfmann – Beethoven: Piano Concerto No. 1 in C Major, Op. 15 (2017) [FLAC 24bit, 96 kHz]

Ania Dorfmann – Beethoven: Piano Concerto No. 1 in C Major, Op. 15 (2017) [FLAC 24bit, 96 kHz]

Dorfmann was the daughter of a merchant. Her elder brother and sister both played the piano and Ania received her early musical education in Odessa, giving her first solo public concert at the age of eleven. The success of this concert led to plans being made for her to travel to Paris to study with Isidor Philipp; however, her father died at this time and the journey was postponed. When she did finally arrive in Paris with her mother, she was to stay for just under a year, returning to find her native land already in the throes of revolution. In 1920 she and her mother settled in France and during the next decade Dorfmann played frequently in Europe, collaborating with conductors such as Willem Mengelberg, Thomas Beecham and Henry Wood.