The trio Brûlez les meubles (« Burn the furniture ») is the meeting of three musicians with very different paths around the desire to create a jazz guitar trio that is oblique in the history of the genre. Nourishing aesthetic filiations with many precursors, from Jim Hall to Sonny Sharrock via Abercrombie or Bill Frisell, the trio stands out by a marked indifference to the habitual harmonic progress of jazz as for the repetitive movements and prefers melodic lines with indefinite harmony (harmolodie?) and incisive riffs.