Elena Kolesnichenko – Concert sans orchestre (2021) [FLAC 24 bit, 96 kHz]

Elena Kolesnichenko – Concert sans orchestre (2021) [FLAC 24 bit, 96 kHz]

Elena Kolesnichenko was born in 1981 in Kharkiv in a simple family. It turned out that the girl has a great musical talent. At the age of seven, Elena began attending a special music school for gifted children in Kharkiv, and then continued her studies at the Moscow Conservatory. At the age of nine, she performed at the United Nations in New York and before the Pope at his Vatican residence. A typical pupil of the Russian piano school, extremely talented, with perfect technique, 18-year-old Elena came to Germany to hone her skills at the Hanover Higher School of Music under the guidance of Professor Vladimir Krainev. The young pianist became interested in the music of Beethoven, to whom she dedicated her first solo album in 2014. Her concerts are distinguished by a well-thought-out dramatic concept: no pursuit of effects, no exaggerated gestures, all the attention is focused on the music and only on the music. With her characteristic crystal-clear touch, rhythm, vitality and organic interaction with the instrument, Elena Kolesnichenko never leaves the audience indifferent, whether in the Great Hall of the Cologne Philharmonic or in a small music salon.

Various Artists – Stefan Heucke: Woodwind Sonatas, Op. 114 (2023) [FLAC 24 bit, 96 kHz]

Various Artists – Stefan Heucke: Woodwind Sonatas, Op. 114 (2023) [FLAC 24 bit, 96 kHz]

GWK RECORDS presents four new sonatas by Stefan Heucke, each for a woodwind instrument and piano, which were created during the Corona lockdown in 2020 and immensely enrich the relatively narrow repertoire of the genre, in the first recording with internationally leading soloists and promising newcomers. With his Opus 114, Stefan Heucke (*1959; Germany/Italy) has composed a sonata cycle that captures the different characteristics of the four most prominent European woodwind instruments and, reinforced by highly demanding, complex and virtuoso piano parts, plays them off in a rousing way. In his “integrative tonal” (Heucke), subjective-emotional and at the same time intellectual-constructive musical language, Heucke dissolves the boundaries between the classical European tonal system and new music and further develops the traditional forms. The flute sonata, which Daniela Koch (flute) and Kimiko Imani (piano) interpret in a highly musical manner, breathtakingly expresses the flexible, bright, brilliant character of the flute. Expressively recorded by Ramón Ortega Quero (oboe) and GyuTae Ha (piano), the oboe sonata is deeply touching in its succinct melancholy and its piercing, sometimes cartoonish intensity. In the expressive interpretation of the bassoon sonata by Marceau Lefèvre (bassoon) and Kimiko Imani (piano), the extremes of the bassoon, the elegiac and bizarre, the majestic, and its poetry fascinate. An exception is the clarinet sonata in the sonata cycle as well as in Heucke’s oeuvre, insofar as the composer incorporated biographical circumstances into it: the second pandemic lockdown. For Heucke, this found its excellent symbol in the video of the song “O du stille Zeit” by C. Bresgen, which the composer’s fellow singers posted in November 2020. The quiet drama and turmoil, gloom, heaviness and shadows, even a tarantella-like dance of death develop around Bresgen’s folk song-like, simple, innocent theme. Simon Degenkolbe (clarinet) and Tobias Haunhorst (piano) express the drama of the sonata and the time it was written in a profound and compelling way.

Anna Stegmann, Jorge Jiménez – Zenith (2022) [FLAC 24 bit, 96 kHz]

Anna Stegmann, Jorge Jiménez – Zenith (2022) [FLAC 24 bit, 96 kHz]

With ‘Zenith’, the internationally renowned soloists Anna Stegmann and Jorge Jimenez follow up their successful debut album ‘Lunaris’. As there, the experts in historically informed performance practice have created with ‘Zenith’ a new sound world all their own, in which, artistically at the highest level and beyond conventions and stylistic dictates, they confidently transcend their original habitat.