The brotherhood of writers likes to get hold of a slogan in order to effectively and boldly describe a composer and his oeuvre. However, such an abbreviated description is not without danger, if not followed by subtle arguments for the choice of the words. Nevertheless, please permit the undersigned also to mention a catchy phrase in the case of Johannes Brahms, which concentrates the mind on the essential. Therefore, should one wish to label Brahms as a composer, then it would most certainly not bear the inscription of a “symphonic” or “Lied” composer, but – if the word existed – of a “variationalistic” composer. After all, the main purpose of Brahms’ life as a composer was the constant transformation of the musical material at hand, the re-examination of traditional elements and forms. And also during the course of his four contributions to the symphonic genre, which indeed caused him such great problems at first, the variation model was ceded an increasingly important role.