Juliane Banse, Dorian Wilson, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern – Cole Porter: A Celebration (2020) [FLAC 24 bit, 48 kHz]

Juliane Banse, Dorian Wilson, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern – Cole Porter: A Celebration (2020) [FLAC 24 bit, 48 kHz]

Cole Porter left a musical legacy that earned him great respect far beyond the world of popular music: more than 40 of his musicals and countless melodies became evergreens, while their lyrics became quoted in daily life. His songs, with their ease, elegance, refinement and drive have fascinated musicians of all genres ever since. Juliane Banse is one of the most versatile singers of her generation with a repertoire ranging from Mozart to Richard Strauss, from unknown operas to the most current modern music. It was only a question of time before she would turn to Cole Porter, hence this album, recorded in the autumn of 2018. And she has to be credited for not trying to copy Ella Fitzgerald, for example, but for singing Porter in her own way; for retaining her clearly intoned, classically trained voice, and not awkwardly acting the part of a husky bar singer. Banse perfectly interprets the roles in her very own way, turning between the ironic, erotic, lascivious and vigorous, with all the necessary syncopated swing. Fans of American entertainment and those lovers of beautiful singing who have an open mind will all find pure delight in this recording. The arranger, composer, choir master and church musician Lars J. Lange made wonderfully lavish orchestral arrangements of Porter’s songs, while conductor Dorian Wilson makes his “classical” ensemble swing and virtually wallow in these melodies.

Deutsche Radio Philharmonie, Pietari Inkinen – Festklänge (2023) [FLAC 24 bit, 48 kHz]

Deutsche Radio Philharmonie, Pietari Inkinen – Festklänge (2023) [FLAC 24 bit, 48 kHz]

When typical Christmas music is played on the radio for the first time, the Christmas season begins for many people. However, the music that we like to listen to on these days was not always composed especially for the festive season. We associate Christmas in particular with early, highly emotional memories. The music we associate with these deeply imprinted feelings does not therefore necessarily have to be Christmassy: it simply has to reinforce or reflect these feelings.

In its December 2022 festive concert, the German Radio Philharmonic Orchestra, conducted by its principal conductor Pietari Inkinen, performed a mix of “real” Christmas music and music associated with the holiday today. In addition to Hely Hutchinson’s “A Carol Symphony,” excerpts from Humperdinck’s “Hansel and Gretel” and Tchaikovsky’s “The Nutcracker” were heard, among others.

Deutsche Radio Philharmonie, Pietari Inkinen – Bartók: Orchestral Works (2022) [FLAC 24 bit, 48 kHz]

Deutsche Radio Philharmonie, Pietari Inkinen – Bartók: Orchestral Works (2022) [FLAC 24 bit, 48 kHz]

Bartok’s Music for Strings, Percussion and Celesta (1936) enjoyed right from the beginning a roaring success, being praised by critics as a masterpiece. It was also the composer’s last work published by Universal-Edition in Vienna. A fierce opponent of National-Socialism, he stopped co-operating with his main publisher soon after. The Divertimento (1939), though definitely not a “lightweight”, does hardly give any indication of the political circumstances and events at the time it was created. The piano works on the present recording, arranged for percussion ensemble, are in their original form miniatures whose strong rhythms almost predestinate them for percussion arrangements (Bartok himself experimented extensively with percussion instruments and was familiar with them). Pietari Inkinen is one of the noted rising stars on the international conducting scene. His comprehensive experience in both opera and symphonic repertoire enable him to shape various repertoire into powerful, convincing interpretations. As chief conductor of the Deutsche Radio Philharmonie, he achieved superb performances.

Deutsche Radio Philharmonie – Shostakovich: Orchestral Works (2023) [FLAC 24 bit, 48 kHz]

Deutsche Radio Philharmonie – Shostakovich: Orchestral Works (2023) [FLAC 24 bit, 48 kHz]

Shostakovich never wrote an original composition entitled “Chamber Symphony”. Works known under this title are arrangements of the composer’s string quartets by the conductor Rudolf Barshai and authorized by the composer. The String Quartet No. 1, Op. 49 was written in 1938, after the Great Terror from 1937 and can be considered as an act of inner emigration. The String Quartet No. 8 in C minor, Op. 110 was written 22 years later, within three days, from 12 to 14 July 1960, in the Saxon health resort of Gohrisch. The Piano Concerto No. 1 in C minor, Op. 35, written in 1933, is one of the last works written in Shostakovich’s first creative period which was not yet overshadowed by Stalinist repressions and is peppered with a great deal of parodistic allusions. With the present recordings the Deutsche Radio Philharmonie under its young, energetic chief conductor Pietari Inkinen draws a dramaturgically convincing bow across Shostakovich’s work.

Christian Ferras, Pierre Barbizet, Stuttgart Radio Symphony Orchestra, SWR Sinfonieorchester Baden-Baden und Freiburg – Beethoven, Tchaikovsky & Others: Violin Sonatas & Concertos (2022) [FLAC 24bit, 48 kHz]

Christian Ferras, Pierre Barbizet, Stuttgart Radio Symphony Orchestra, SWR Sinfonieorchester Baden-Baden und Freiburg – Beethoven, Tchaikovsky & Others: Violin Sonatas & Concertos (2022) [FLAC 24bit, 48 kHz]

Christian Ferras will most likely be remembered as the violinist who was filmed shedding tears at the end of the slow movement of Sibelius’s Concerto in 1965, and who, after a dramatic downturn in his career, took his own life at the age of 49. And, of course, as the child prodigy from the French provinces who became – at the height of his fame – Herbert von Karajan’s favorite violinist. His artistic personality was shaped by his utter, though humble, devotion to the music, demonstrated by his appropriate yet lively tone, elegant bowing, effervescent, energetic fingering and considered phrasing. The recordings of Christian Ferras with pianist Pierre Barbizet are of the utmost importance, with the musicians forming an inimitable partnership. The concertos in this collection showcase the violinist as a captivating soloist – Müller-Kray follows his every move in the Beethoven and Tchaikovsky with dynamic sensitivity, Gielen’s analytical expertise within the Berg is unrivalled and Ferras’s partnership with Blomstedt results in a profound interpretation of the Brahms.