The Sixteen, Eamonn Dougan – Bartlomiej Pekiel: Messes – Motets (2013) [FLAC 24bit, 96 kHz]

The Sixteen, Eamonn Dougan – Bartlomiej Pekiel: Messes – Motets (2013) [FLAC 24bit, 96 kHz]

Bartłomiej Pękiel was one of the most eminent Polish composers of choral music of the 17th century. He served at the court in Warsaw from around 1633 and was assistant to Marco Scacchi at the Chapel Royal in Warsaw before becoming Kapellmeister himself from 1645-1655 – the first non-Italian to hold the post. He then moved to Wawel Cathedral in Krakow where he wrote for the Rorantist vocal ensemble.

Just 29 of his compositions survive today and on this new album by The Sixteen under the direction of Associate Conductor, Eamonn Dougan, we present 11 of his works for choir and orchestra including the Missa Concertata La Lombardesca resplendent with double choir, violins and trombones, and the extraordinary and dramatic Audite mortales.

In this recording dedicated solely to his works, Pękiel shows himself to be a skilled craftsman, mastering the techniques taught by the Italian maestri, but also imbuing his works with his own particular harmonic colour in all the varied styles he writes in.

Ian Watson, Susanna Ogata – Beethoven: Sonatas for Fortepiano & Violin, Volume 1 (2015) [FLAC 24bit, 192 kHz]

Ian Watson, Susanna Ogata – Beethoven: Sonatas for Fortepiano & Violin, Volume 1 (2015) [FLAC 24bit, 192 kHz]

Susanna Ogata and Ian Watson join forces to record the complete Sonatas for Fortepiano and Violin of Ludwig van Beethoven in four installments. The first CD features Beethoven’s Fourth Sonata, Op. 23 in A minor, as well as the revolutionary ‘Kreutzer’ Sonata, his ninth, Op. 47 in A major – a blazing landmark in violin virtuosity and classical music repertoire. Beethoven’s music and persona pushed the existing forms and instruments to their absolute limit. Using period instruments for which the music was originally written, Watson and Ogata reveal not only the clarity of Beethoven’s extraordinary musical structure, but also an amazing palette of colours. In doing so, this duo aims to recreate the white-hot intensity of the moment these striking sonatas were written and first performed.

Susanna Ogata has been praised for her ‘totally convincing, spontaneous and free-flowing playing’ (The Berkshire Review) and is a tenured member of the Handel and Haydn Society where she was appointed as Assistant Concertmaster of the orchestra in 2014.

Ian Watson has been described by the Frankfurter Allgemeine Zeitung as ‘a conductor of formidable ability’, and by The Times in London as a keyboard performer with ‘virtuosic panache and brilliantly articulated playing’ and ‘a world-class soloist.’ He was appointed Resident Conductor of Boston’s Handel and Haydn Society in September 2014.

Aisslinn Nosky – Mozart Violin Concertos, Vol. I (Live) (2021) [FLAC 24bit, 96 kHz]

Aisslinn Nosky – Mozart Violin Concertos, Vol. I (Live) (2021) [FLAC 24bit, 96 kHz]

Mozarts Violin Concertos need little introduction from No. 3 in G major featuring the 19-year-old Mozart at his elegant, witty and beguilingly changeable best, to the Sinfonia Concertante the string concerto masterpiece with its masterly mixture of noble strength and tender lyricism, these are some of Mozarts most well-known and best-loved works. Handel and Haydn Society with their inspirational Concertmaster, Aisslinn Nosky, bring Mozarts musical magic to life in these live recordings from Bostons glorious Symphony Hall.

Aisslinn Nosky, Handel and Haydn Society – Mozart: Violin Concertos, Vol. II (Live) (2023) [FLAC 24 bit, 96 kHz]

Aisslinn Nosky, Handel and Haydn Society – Mozart: Violin Concertos, Vol. II (Live) (2023) [FLAC 24 bit, 96 kHz]

Mozart’s Violin Concertos need little introduction and are some of his most well-known and best-loved works. Despite being written when the composer was just 19 years old, they feature Mozart at his elegant, witty and beguilingly changeable best. Handel and Haydn Society with their inspirational Concertmaster, Aisslinn Nosky, bring Mozart’s musical magic to life in these live recordings from Boston’s glorious Symphony Hall.