Edward Gardner, London Philharmonic Orchestra, Wiener Philharmonic Orchestra, English National Opera Chorus – Tippett: The Midsummer Marriage (Live) (2022) [FLAC 24 bit, 48 kHz]

Edward Gardner, London Philharmonic Orchestra, Wiener Philharmonic Orchestra, English National Opera Chorus – Tippett: The Midsummer Marriage (Live) (2022) [FLAC 24 bit, 48 kHz]

This is the first commercially available recording of Tippett’s first opera in over 50 years, recorded in a landmark performance conducted by Tippett enthusiast Edward Gardner. Performed at the Southbank Centre’s Royal Festival Hall and broadcast live on BBC Radio 3, this performance was a thrilling start to Edward Gardner’s tenure as Principal Conductor of the London Philharmonic Orchestra.

London Philharmonic Orchestra, David Murphy – Ravi Shankar: Sukanya (2017) [FLAC 24 bit, 48 kHz]

London Philharmonic Orchestra, David Murphy – Ravi Shankar: Sukanya (2017) [FLAC 24 bit, 48 kHz]

The London Philharmonic Orchestra’s premiere performances of Sukanya in 2017 won universal critical acclaim, described by “The Telegraph” as ‘a charming evening of pure escapism’… Don’t miss this second chance to experience a semi-staged performance of the only opera written by the legendary Ravi Shankar, brought to life through myth, music and dance.

London Philharmonic Orchestra, Stanisław Skrowaczewski – Bruckner: Symphony No. 5 in B-Flat Major (2016) [FLAC 24 bit, 96 kHz]

London Philharmonic Orchestra, Stanisław Skrowaczewski – Bruckner: Symphony No. 5 in B-Flat Major (2016) [FLAC 24 bit, 96 kHz]

This live concert recording features renowned Bruckner expert Stanisław Skrowaczewski, who commands a rare position within the international musical scene, being both a renowned conductor and a highly-regarded composer.

This recording is an interpretation of humility from nonagenarian Stanisław Skrowaczewski, a performance in which the listener can hear the remarkable connection between conductor and the London Philharmonic Orchestra; the Orchestra has performed Bruckner’s symphonies under his baton many times.

Anton Bruckner’s Fifth Symphony is one of the grandest of his so-called ‘cathedrals in sound’. From the first movement’s monumental tone, via the dance-haunted Scherzo, to the beautiful yet finally enigmatic Adagio, Bruckner’s ‘fantastic’ Fifth ends with a triumphant orchestral finale, among the finest ever written.

Skrowaczewski’s interpretation of Bruckner’s Symphony No. 3 with the LPO is also available on the LPO’s record label (LPO-0084). Released in 2015, the recording received excellent reviews, with BBC Radio 3 commenting that ‘it sounds throughout as if the LPO is completely in sympathy with the conductor’s carefully controlled approach … It feels right, end to end.’

This recording was taken from a live concert performance at Southbank Centre’s Royal Festival Hall on Saturday 31 October 2015.

London Philharmonic Orchestra, Stanisław Skrowaczewski – Bruckner: Symphony No. 3 in D Minor ‘Wagner Symphony’ (2015) [FLAC 24 bit, 44,1 kHz]

London Philharmonic Orchestra, Stanisław Skrowaczewski – Bruckner: Symphony No. 3 in D Minor ‘Wagner Symphony’ (2015) [FLAC 24 bit, 44,1 kHz]

From its opening expectant hush via its central Adagio movement (composed in memory of Bruckner’s mother) to its Austrian folk dance-influenced final movement, Bruckner’s Symphony No. 3 displays both the key influence of Wagner on the composer, and his structural flair, which earned his symphonies the description ‘cathedrals of sound’.

Stanisław Skrowaczewski, currently the world’s oldest major working conductor, is renowned for his affinity with Bruckner and the London Philharmonic Orchestra has performed Bruckner’s symphonies under his baton many times. Skrowaczewski’s decorations include the Knight’s Cross of Polonia Restituta, one of Poland’s highest decorations, six honorary Doctorates, and the Gold Medal from the Mahler-Bruckner Society; each indicating the massive contribution he has made to music-making throughout his career.

This recording was taken from a live concert performance at Royal Festival Hall, London, in March 2014, which was very well received critically.

Skrowaczewski uses his own, unpublished, edition of the Symphony in this recording, offering the listener a unique experience, and an opportunity to get inside the mind of Bruckner’s greatest interpreter.

Skrowaczewski’s interpretation of Bruckner’s Symphony No. 7 with the LPO is also available on the LPO’s record label (LPO-0071). Released in 2013, the recording received rave reviews, with Gramophone commenting that ‘It has a quiet dignity and integrity, and one is left in no doubt that the man on the podium comes with a wealth of experience and is in love with every bar.’

Angharad Lyddo, London Philharmonic Orchestra, Vladimir Jurowski – Jurowski conducts Stravinsky, Vol. 1 (Live) (2022) [FLAC 24bit, 48 kHz]

Angharad Lyddo, London Philharmonic Orchestra, Vladimir Jurowski – Jurowski conducts Stravinsky, Vol. 1 (Live) (2022) [FLAC 24bit, 48 kHz]

The first of three volumes focusing on Stravinsky’s music conducted by Vladimir Jurowski includes his Opus One, the Symphony in E-flat, unmistakably Russian and that young Igor was a pupil of Rimsky-Korsakov. It’s a likeable piece, leaning to Borodin in places, confident and imaginative, with a featherlight Scherzo, an intensely eloquent Largo, and a Finale of Imperial swagger, handsomely brought off by the LPO and Jurowski in immediate and clear sound, the very ideal of the Royal Festival Hall. Mezzo Angharad Lyddon is excellent in Faun and Shepherdess, straight out of the Tchaikovsky songbook, and anticipations of the Stravinsky to come (Firebird anyway) surface with Scherzo fantastique, given a buoyant outing, with fantasy and clarity in equal measure. The ‘lost and found’ Funeral Song – interesting because Stravinsky wrote it (in memoriam Rimsky) rather than for its musical worth, although Jurowski finds more than some previous performances (the piece went viral a few years ago). A shame that this first disc does not include Fireworks, Stravinsky’s Opus Four, for then his first five Opuses would be together, although that way of cataloguing his works would cease.